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Improve Video Creative








【Flexible Bi-color Option】The FL125B 125W offer 37600lux@1m with reflector. 2700~6500K color temperature, easy color matching, but also the ability to think creatively about what hues make each scene look best.
【Accurate Color Performance】Cri96+,Tlci97+ cinematographers need to be aware of the ability of their artificial light sources to reproduce colors accurately. 10 light effects easily simulate a variety of scenes, exploring new possibilities for lighting setup.
【Lighting Adjustment】The 0% to 100% dimming control balance your lighting in a right level. Support app(Feelworld Light) light control, you can easily control the brightness, cct and light effects by app. Ios Market ”feelworld light app“ is being upgraded to English
【All-in-one Design】Solid body and light weight(1.53kg); 180° rotating bracket, easy to adjust the angle, you can go to lighting efficiently. The built-in fan and multiple heat dissipation holes remains cool to ensure long shots on set.
【Package Include】1× Lamp Frame, 1× Reflector, 1× Cob Protection Cap(defualt to mount on light), 1× Power Adatper, 1× Carrying Bag, 1× Manual.
5 reviews for FEELWORLD FL125B 125W Video Studio Light with 2700K~6500K Bi-Color Continuous Lighting CRI96+ TLCI97+ 37600lux@1m for Film, Live Streaming, Videography, Photography, Wedding, Interview
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$155.99

matt tornquist –
Absolute best value light I’ve used
I’ve used a bunch of different COB lights over the past couple of years, and without a doubt I can say this is the best value of any of them. I have a set of 4 similar lights from a different manufacturer and I can get these for 1/4th of the price. Imagine having access to 16 total lights as compared to just 4, absolute game changer!This light is the perfect size and extremely useful. I’ve heard that they’re working on including the US power cable as compared to a foreign one with a plug adapter, so that will be a useful change!It’s very bright, has fully adjustable color temp and has app control via bluetooth. Admittedly, I haven’t had a change to try the bluetooth control yet but will be testing out soon.Totally recommend picking up 1 (or many) of these lights!
Max Gerega Multi-Media –
Lite! Bright! And Priced just right!
This light is really useful on set. Its size and weight make this easy to move on set while being the most versatile light in my arsenal with its bi-color feature to its app connectivity. Highly recommended for any videographer or crew looking for versatile lights. Itâs not powered off batteries so make sure you have an outlet but I can say enough good things about this light.
Crescent Kinetic –
Excellent customer service.
They sent me the wrong plug originally. But it had a US adapter so I just made due. Later on they reached out and sent me the correct plug with out being asked. As for the product. I love it. Light weight. Easy to set up. And the case is excellent as well. Zero complaints.
Frank S. –
Affordable COB LED studio light with daylight output suitable to illuminate small to medium scenes
The FEELWORLD FL125D video light, a continuous COB LED studio light with a 125W output, delivers 48500 Lux according to the manual. The light comes in a sturdy carrying box which is also great to store / stack the light.Also included is a metal reflector with 7-inch diameter and Bowens mount. The light’s housing is plastic.That maximum power can be adjusted stepless with the brightness button at the back of the light. Color temperature is fixed at 5600k, meaning a daylight representation.The light output is pretty bright when used with the included standard reflector, but therefore rather pointy and creating hard shadows which is of course normal.I use the light with a octagon softbox with double-layered cloth and with honeycomb grid, to soften the light, but that will take away quite a bit of brightness at the scene.I also tested with an umbrella and a simple white / silver reflector: both work quite well with regard to soften the light while not taking too much power away — maybe better if you need to illuminate a medium-sized scene. The output power will be sufficient if you can get quite close to your object/subject.The FL125D is a with 1.53 kg (~3.4 lbs) pretty lightweight and can be handled easily. It did fit well on my light stand and I would recommend a heavy-duty light stand for the stability reasons especially if you mount a larger softbox onto the light. The Bowens mount at the front of the light works fine. The 180-degree vertical rotation of the light is also working fine.The light can only be operated with AC power, no batteries, unless you carry a power bank with you. The AC adapter can work with 120V or 240V — the actual cable with outlet plug is not a U.S. plug but comes with 2 plug adapters (form factor adapters). It gives kind of a subtle feel that the light is not made for the U.S. market, even though it works. I would have liked to see a regular U.S. market AC cable for this light, especially because the plug-adapters eliminate the ground contact of the original plug which is not so good.Because of the AC supply awkwardness plus having the clumsy AC-120/240 adapter I feel I have to reduce the rating for this light a bit, but I can imagine they might be able to fix that issue.I think this 125-Watt light offers a start to build studio lighting at an affordable level and if your studio footprint is not too big.This light has its market, and everybody needs to find out if it is a fit depending on type of work and projects.All light requirements and how much light output is needed depends always on the specific scene. With a good CRI value of 96+ this FL125D light can be used to produce professional results.The company offers an app (Android, iOS) “FEELWORLD Light” to remote control the light with Bluetooth — The app requires to setup an account before it lets you to the features.Right now, with just one light and for just adjusting the brightness and selecting the effects I do not have the need for an app but with a setup of multiple light that could be controlled with the app, it makes sense to use it.The light itself has a button for effects settings like strobe effect and others — those effects might be useful for filmmaking projects.The LUX value can give anybody a good idea of what amount of light is available at the scene, I think white light output with 485oo lux / 1m is nice and bright, it represents very bright daylight (which is in the range 10000 to 30000k lux) at 1m and will reveal all details of the object.Because of the Inverse-square law of light, at 2m it comes to 12125 lux and so on.Adding your modifier, e.g. a diffuser will of course change that dramatically.
Robert Ryan Productions –
Great bicolor COB light
The FEELWORLD FL125B 125W Video Studio Light with 2700K~6500K Bi-Color Continuous Lighting CRI96+ TLCI97+ 37600lux@1m for Film, Live Streaming, Videography, Photography:This is a very nice COB, continuous, bi color light, for video and photography. I have come to really enjoy lighting with these COB style of lights. I just shot a major advertising campaign using only lights like this. Sadly I did not have this one at the time as it would have been a huge asset. This is a fairly bright LED COB, however what you need to know is using a reflector drastically increases the lumen output. To that ends this has a Bowens mount to accommodate all manor of light shapers. I particularly like using parabolic soft boxes and reflectors as well as beauty dishes with this style of light. These can work well as the only light source, but also to fill in for and compliment natural light in a building. You will not be able to balance with the sun outside at mid day (that requires allot more power) but early in the day or late in the day or using several can get you there. They are best suited for indoor use on there own or to balance your available light. The color accuracy is very good with this light.This fixture comes in a very nice padded travel and storage bag. Something I very much appreciate. Inside you find a reflector, the fixture, an international power supply and plug adapters. I did find it a bit odd that it had adapters as a power option, however this is really not a problem at all, as the cable going into the brick is a standard IEC plug, and we all have an excess of these at this point, so you can just switch it out for an Edison version. It totally works just fine on the international plug and adapter though. I just prefer to not use adapters if I can help it. The fixture itself is made completely of heavy ABS and feels very solid. There is plenty of exhaust ports top and bottom. The stand attachment is all metal and feels solid enough to hold even heavy light modifiers, it is of a notched design. The power attachment on the back is an XLR input and feels very robust. The screen is bright and clear and easy to read with all the pertinent information. The light is very easy to use and also can be controlled with a phone or tablet app. Always an appreciated feature. I also really, really appreciate the handle on top. This is so helpful when you have a large soft box on the fixture and you need to tilt it up or down. A feature that is surprisingly missing on so many fixtures. Iâm really happy to have that. So far this light has been a pleasure to use with great output and color rendition. I look forward to using more in the future and I will report back with more feedback from the field. So far testing in the studio has gone perfectly and I highly recommend this light for professional videographers and photographers, media creators, streamers, YouTubers, and businesses need high quality color accurate lighting fixtures. I am so excited to have this in my arsenal of COB lighting fixtures. As I said I just shot a huge ad campaign with this style of light and I plan to make it large part of my lighting style moving forward. It is perfect for a cinematic lighting style, also architectural photography, or just to reduce a shadow as part of a larger lighting universe.